![](https://images.prismic.io/michael-anastassiades-website/cb57eecb-dd96-4e9a-838e-54873cb863f9_1-michaelanastassiades-mobilechandelier2.jpg?auto=compress%2Cformat&rect=0%2C0%2C2500%2C2500&w=800&h=800&q=60)
Mobile Chandelier 2
Custom patina available.
The Mobile Chandeliers are delicate structures balanced in perfect equilibrium. Constructed following the principles of a mobile, these are arrangements of linear tubes, geometric light sources, reflective surfaces and counterbalancing weights. The pieces rotate freely and delicately, creating an ever-changing lighting configuration unique to the space they occupy.
Each Mobile Chandelier is individually tailored to ensure the balance of its approximately 200 hand-crafted patinated-brass components. Every piece is unique in its dimension and compositional balance, due to the varying weight of the mouth-blown opaline glass.
![](https://images.prismic.io/michael-anastassiades-website/a0fde02d-360b-49f7-a014-e8b76227a541_2-michaelanastassiades-mobilechandelier2.jpg?auto=compress%2Cformat&w=800&q=60)
First produced 2008
Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W
Lead time: 12 to 14 weeks
![](https://images.prismic.io/michael-anastassiades-website/02c9a153-2c59-4f18-bc9c-da28261e484b_4-michaelanastassiades-mobilechandelier2.jpg?auto=compress%2Cformat&w=800&q=60)
![](https://images.prismic.io/michael-anastassiades-website/63ed6798-6593-4266-a97b-eee510351deb_3-michaelanastassiades-mobilechandelier2.jpg?auto=compress%2Cformat&w=800&q=60)
The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.